Author Archive: app

At first, the movement of the screen when you move your character around can be pretty frustrating. The screen seems to want to jump all over the place. But after you play the game a bit, it does get a bit less annoying, but there’s still always that little jerk on the screen when you move that takes away from the immersion of the gameplay. There are also some issues with the frame-rate, but nothing that distracts as much as the jerkiness of the screen. The directional joystick moves your character in 8 directions, which isn’t bad, but after playing CrimsonHeart, this is always something that’s noticeable. 

Aside from these slight issues, Legend Of Master 3 is a competent Action RPG title, with a fairly large variety of classes all having their own unique skill trees and weapon options. Each of the 6 classes has the same story and plot; 400 years ago, an evil sorceress B’Kar turned Cain’s family to stone. Knowing that he couldn’t defeat B’Kar then, Cain split his soul into 7 pieces, scattering them across the lands with the hope that once all of the pieces of his soul were retrieved, he would  have the skills needed to defeat B’Kar once and for all. Now, in the present, Cain is awakened inside the body of William, an heir to the throne who had just watched his younger brother die in front of his eyes. While learning about the futuristic world Cain now resides in, he must find the 7 pieces of his soul, and defeat B’Kar, avenging his family and loved ones. 

From the story, it’s pretty easy to tell that this isn’t your typical younger naive children learning how to be adults while going on an adventure to help save a little town, cheesy type RPG plot. The graphics also mirror this with fantastic character and enemy models/sprites. The camera is panned out a little more than most RPG titles on the iOS, which does make it a little bit harder to make out the characters details, but in 2X mode on the iPad, it’s fairly clear, and surprisingly not pixilated, which is a huge plus. The animations are also fantastically done, but as you can probably imagine, with the frame-rate and screen movement issues, don’t seem as smooth as they should be. 

The environments are, for the most part, dark and uninviting, and combined with the music, makes for an uneasy feeling. Making it even more uneasy are the environmental objects, most of which are fairly highly detailed, adding quite a bit of immersion to the game. Even though this immersion is lowered by the screen shaking. 

Other than that, the bulk of the game is like almost all other Action RPG titles available in the AppStore. Visiting towns exposes you to other characters who need various tasks completed to help them out in their daily lives, like collecting X amount of some herb or material, or killing X amount of a certain type of enemy. 

Crafting is included, but could use some tweaking as the amount of items you need to make potions is pretty high, and the difference between a slight increase in potion strength is even higher. For instance, making a 25% HP recovery potion costs you 8 Blooms, while a 35% potion costs 12 Blooms AND 12 Bones. But luckily, you’re able to disassemble items that you don’t need anymore straight from your inventory, without needing to go to a merchant, which lets you build up your gold pretty quickly, so just out-right purchasing potions is your best bet when you’re first starting out. However, crafting isn’t totally useless in the beginning. You’re able to craft Stones which you can use to upgrade your weapons, which really helps out in the beginning portions of the game, and crafting stones isn’t nearly as resource consuming as potions is, with each stone requiring only 6 items, 2 of three different ore’s which you’ll be able to pick up while making your way through the game. Upgrading your equipment is done through the blacksmith, picking an equipable item and combining it with stones. You’re also able to upgrade other stats of your items with stones in the blacksmith. Needless to say, crafting a bunch of stones, and upgrading your equipment is another big part of the game. 

With Legend Of Master 3 priced at $5, and not being Universal or including GameCenter achievements, and having a few issues with frame-rate and the camera, it’s a bit on the high end of the pricing spectrum. But when comparing it to other titles, it’s a lot more mature, staying away from the cutsey graphics and story lines of most RPGs. Hardcore fans of the genre will enjoy the deep skill trees, 6 different classes, and huge selection of weapons, along with the upgrading and crafting. The graphics and animations are also top-notch, however marred by the camera issues, which is only such a big deal because of how beautiful the graphics truly are, and the desire to see them as clearly as they deserve to be shown. On the other hand, if you’re looking for something to match the depth, and smoothness of CrimsonHeart, you might want to wait and see if some of these issues are fixed in future updates. Considering the game is the 3rd in the series, and published by Gamevil, there’s a fairly high chance that they will be tackled. Legend Of Master 3 does have it’s faults, but they are easily overlooked once you get deep into the game, and get sucked into the story and combat. It’s definitely a title you should keep your eyes on. 

Music based games on the iOS are almost always a disappointment. Miku Flick and Groove Coaster are the only ones that come to mind that have really kept my attention for more than a couple of minutes. Now, Rayark’s first iOS title, Cytus is another game that I can add to that very small list. Having incredibly easy to understand controls and gameplay along with fantastic graphics and all coupled with a great soundtrack, Cytus might just be my favorite music game on the iOS to date. 

Cytus’s gameplay is centered around tapping on bubbles when the line following along with the tempo crosses over them. Helping you figure out what bubbles need to be tapped, they grow from grey into a brightly colored mix of purple, blue and pink when the tempo line is going up, and yellow, green and orange when the line is going down and they’re ready to be hit. This makes for some very simple gameplay, but offers up the possibility of some very complex tapping, and developer, Rayark takes full advantage of that. Starting off, you’ll be able to play through only a couple of the available tracks, and only Easy Difficulty will be accessible. Once you complete songs with specific ratings, usually a B or above, you’ll unlock more tracks, and getting an A will unlock the Hard Difficulty for that track as well. 

There are 15** available tracks within the game, and with a fairly wide mix of genres ranging from Jazz and Pop to Trance and Drum & Bass, there’s a pretty high chance that you’ll fall in love with at least one of the songs in the game. Even if you’re not a fan of the music, it fits in perfectly with the graphic look and feel of the whole game, and is by no means cheesy like quite a few of the music games available. 

However, even with the great gameplay, awesome graphics, nice music and all around fantastic feeling of the game, there are a couple of issues. The bubbles that you’ll be tapping on do have a fairly large area for a ‘Perfect’ hit and a ‘Good’ hit. This does make the gameplay a little more easy than I originally thought it would be when watching videos of gamers playing songs on hard difficulty. There’s also some sections which, unless you know the song and bubbles by heart, are almost impossible to hit right because of where your fingers are placed right before. This is mainly an issue when there are bubbles that need to be held down on the screen for extended periods of time, and not when there are just bubbles that need to be tapped quickly. While holding down on these, there’s almost always quick tap bubbles that don’t appear until you let up off of the screen, either hidden under the line of the held down note, or directly under where your fingers are. 

There are 3 leader boards on GameCenter, one for your Total Easy Score, another for your Total Hard Score, and one for your Total Score which combines the totals of both difficulties. This does add quite a bit of replay value to the game, especially if you’re a high-score chasing GameCenter addict like myself. With Cytus being Universal, and priced at only $1.99, it’s a no-brainer. If you’re a fan of Musical Rhythm Based games, Cytus is one iOS game that you need to have on your device. There’s also more songs coming in future updates, which will be available for free, which is always great to hear. For their first iOS title, Rayark has done an outstanding job with Cytus. Hopefully this is just a glimpse of what they have in store for iOS gamers in the future. 

Castlevania influenced games are basically non-existent within the AppStore, so when CWA Games (one of the biggest mobile development teams in China) released their first iOS title, Avenger, fans of the niche genre jumped at the chance to check it out. Judging from the trailer, the gameplay looks solid, but the grammar looked like it might have been translated by Google, which, if you’ve used ‘Google Translate’, you know is pretty horrendous, and for a lot of gamers, bad English translation is enough for them to stay away from a game. 

Demons have built a castle in the human world, and are trying to take it over. You’ll play as Cyprus, a prince who has the abilities to save the world. Throughout the game, you’ll be chasing the Devil Queen and searching for the Castle of Shadows. The grammar throughout the game does take away from the story, as it’s kind of hard to understand exactly what’s going on, and is made worse by how quickly the text appears and disappears during the cut scenes. 

Unlike Castlevania, there is no real exploration or backtracking, which is unfortunate. A game in the same vein as Castlevania feels kind of incomplete when it’s so linear. The combat system is fairly simple, with one button for attacking, and then two icons in between the joystick and attack+jump buttons for special attacks. You are able to execute different attacks depending on where your joystick is placed. For instance, an attack that flings you up into the air is done by holding up on the joystick and pressing the attack button, while holding back on the joystick and pressing attack will make you do a backflip attack. 

As you progress through the game, you will gain experience which upgrades both your character and your current weapon. When your character advances a level, his Hit Points, Magic/Mana Points, Attack and Defense all increase, while with a weapon, the attack power increases and you’re able to assign a special attribute, like extra attack points, more experience earned, and things of this nature, but you have to pay to ‘enchant’ your weapon. This is where most of the gold that you collect from killing demons will go. But once you enchant your weapon 3 times, it will receive a special ability, like increased agility, or increased attack strength for the first couple of hits in a new room, and more.

You will also be picking up other items as you make your way through the game. More powerful swords are awarded each time you beat a boss, HP and MP bottles will fall from treasure chests and enemies, and scrolls which send you back to Twist Space which is where you’ll be able to enter different mirrors which take you to different sections of Avenger’s world. Here, you can go to previously beaten areas, and purchase potions, weapons, and scrolls. 

Avenger’s gameplay is great for those of you looking for a Castlevania themed button masher. But the gameplay doesn’t really overshadow all of the issues. The framerate could be smoother. It’s not as bad as it looks in the trailer, but it’s not smooth by any means. Like Casltevania, you’re only able to save at certain spots throughout the game. This wouldn’t really be a bad thing, except that this is a mobile game, and for some reason, the game quits whenever your device goes into sleep mode, or you get a phone call, which means you could be loosing quite a bit of progress fairly often. 

I’m still fairly new to the 4X genre, having only been into it for the last couple years, but what I’ve played so far, I’ve absolutely fallen in love with. Starbase Orion is easily one of my favorite iOS games to date, and Ascendancy, Civilization Revolution and Imperium Galactica II have totally got me hooked. Luckily for me, there were a few 4X ‘lite’ games to be found on the AppStore, and without them, I don’t think I would have gotten into the 4X genre like I have. 9 Colonies, Blue Libra and Vincere Totus Astrum played huge roles in my decent into the 4X world, and since then, I still find it hard to pass up on lite 4X titles. Astraware Limited’s Weird Worlds: Return To Infinite Space falls into this category of ‘4X lite’, and just like the other titles mentioned, it’s a great game to get if you’re just starting to uncover the many, many layers of the 4X genre, or even if you’re already deep into the genre, and are looking for a game that you can complete in 10-30 minutes. 

There are 3 different types of campaign like scenarios in Weird Worlds which you’ll be able to play through, each depending on the type of ship you choose to command. There’s a Science Vessel, Pirate Corvette and Terran Frigate. 

With the Science Vessel, your goal is to catalog and capture unknown alien lifeforms. While you’re doing this, you’ll need to also catalogue new worlds and various deep space phenomena so that the information can be added to starmaps. Playing with the Pirate Corvette will have you exploring the galaxy and grabbing anything of value; technology, artifacts, lifeforms, weapons and hostages. The Terran Frigate’s goals are to make first contact with alien lifeforms determining if they are peaceful or ready for war, as well as obtaining all of the technology and artifacts you can that might be useful to the military. 

With each ship, you’re able to decide how large the map is, small, medium or large. As the galaxy gets bigger, you’ll have more time to explore the planets within it. The small map gives you 10 years, medium gives you 20 and the large map gives you 30. You must make it back to Glory, the planet you start your adventure from, before time runs out, or else the points you’ve collected while out in space will not be added to your score. You’re also able to choose the Nebula Mass, which slows down your ship dramatically, as well as the hostile alien’s combat strength. 

Exploring the galaxy is simple, tap on a planet, and two taps will pop up, ‘Engage’ and ‘View’. You’re also able to see how far away the planet is, and how long it will take you to travel to it. ‘View’ gives you a little bit of information about the planet, while ‘Engage’ will have you travel there. Once you’re on the planet, if there are any available materials, weapons, other equip items like shields, star drives, propulsion systems, and loads more, as well as alien beings, plant life, technology and artifacts, you can put all of these into your cargo hold, or equip your own ship with them. 

Unless you have an item which scans planets within your vicinity, you will not be able to tell if planets are occupied by alien beings or not until you land on the planet. If there are alien lifeforms, you can choose to engage them and find out if they’re hostile or friendly, or just leave them alone without finding out who or what they are. As you travel around the galaxy, you’ll also come across mercenaries which can be hired by trading them items from your cargo hold. Once you have hired them, they’ll fly alongside you in battle, helping you get out of tricky situations. You are also able to equip their ships with items found on the various planets, which does give the whole equip system some depth. 

Weird Worlds: Return To Infinite Space is only available for the iPad, and is $4.99. It does have GameCenter support, with 3 boards for the small, medium and large sized galaxies, but does not have any achievements. Right now, Weird Worlds would be much better if it had a lot more items and aliens to come across within the galaxy as right now, it seems like after you play through the game once with each of the ships, you’ve pretty much seen everything there is to see, and all that keeps you playing is the high-score chase. Hopefully the developers have something in mind to add to the replay value. The game is solid in all other aspects. It’s a great game for those of you who are looking to get more into the 4X genre, but are finding games like Ascendancy and Starbase Orion too complex at the moment, or for 4X fans looking for a game that they can play through in short spans. 

After the success of Hunters: Episode One, the fantastic sci-fi turn-based strategy title from Rodeo Games, it was no surprise when Hunters 2 was announced. Being a Strategy fanatic, I was extremely excited to get my hands on the release. Unfortunately, because of some badly timed events, and large backup of games, I wasn’t able to get the time to check it out. After playing for 5 hours straight this morning, I’m kicking myself for not having it on my device sooner. 

Like Hunters: Episode One, your thrown into a civilization which revolves around contracts. There are no governments, only corporation owned planets, and credits and contracts are the only things that matter. Unlike the first Hunters, Hunters 2 has an actual story line which you can progress through while also having access to daily contracts which you can play to earn more experience and money, helping you make it through the story mode a little easier, while also providing some extra challenge. 

Starting off, you’re able to choose between Easy, Normal and Hard difficulties, as well as being able to turn Hardcore Mode on, which makes it so that any team members lost during battle are lost forever. After a back-story dialogue scroll down the screen, you’re thrown into a tutorial mission where you’ll learn the basics of the game while also finding out that your employer wants you dead, presumably because of some information you posses. After all but a total of 3 members of your team have been extinguished. Making your way to the end of the tutorial level, the last 3 members are overrun. 

You’re then taken to the ship where you can check out the available menu options, Bridge (where you start your contracts), Comms (where you can connect to Rodeo Games, Facebook, Twitter, and check out GameCenter boards and achievements), Armory (where you’re able to equip your team members), Trade (which is the shop, where you can buy and sell items, as well as purchase new members), Manufacturing (which is where you can create your own weapons and armor) and Settings (which lets you change the difficulty, team color, music and effects volumes, and turn the Blood and Free daily Gifts on or off, as well as reset the campaign). 

Each member of your team is able to be outfitted with one weapon, and armor, with both having a major influence on how you play the game with those specific characters, with the armor dictating how many moves they can make per turn, and the weapons you equip possibly taking up more than one movement point. As they level up, more abilities will become available to them, giving your team-mates super human abilities, and extra special moves to help them tear the enemies apart. Since you are able to purchase more members from the shop, even leveled up members, this makes experimenting with weaponry and armor very easy, and adds quite a bit of depth to the already depthy strategic gameplay. 

The graphics in Hunters 2 are what you would expect from a sequel. If you’ve played the original Hunters, you’re familiar with the look of the environments and character models. Rodeo Games did definitely make the graphics sharper and more vibrant, with some fantastically created plantlife and outdoor environments added to the many buildings found in the first title. They’ve also added some very nice atmospheric graphic effects and animations to go along with the new graphics, making the game even more immersive than the original. Also accompanying the new graphics is fantastic music and sound effects helping to set the dark and dreary mood perfectly. 

This time around, Rodeo Games made Hunters 2 Universal, and with it being priced at $4.99, it’s a fantastic deal, especially considering the endless replay value, and extremely difficult challenges that await players in-game. GameCenter is also supported, with a leader board based on how many contracts you complete, along with 33 hard-to-unlock achievements, both also adding to the insanely high replay value. Rodeo Games has done a fantastic job creating a completely immersive world, and compelling campaign to go along with this amazing game. Hunters 2 has quickly become one of my favorite iOS strategy games, and right now, is definitely in the top 3 on my ‘Best of 2012’ list. It’s one game that strategy fans need to have on their iDevice. 

It’s not too often you see a completely unique and original Strategy title, even on a platform that’s full of hundreds of incredibly talented developing teams. It’s even more rare for a Strategy title to end up taking the #1 spot on the iTunes Paid Game’s list away from Angry Birds. Plague Inc., developed by Ndemic Creations is just that. Plague Inc. has you evolving and spreading a disease, while trying to infect and kill everyone in the world before a cure can be found. Sound evil? It is. But it’s also one of the most interesting and addictive strategy games I’ve ever had the pleasure of playing.

When you start your first game, you’ll only be able to start with a Bacteria and will be able to choose between Casual (no one washes their hands, research doctors don‘t work and sick people are given hugs), Normal (67% of people wash their hands, doctors work 3 days a week and sick people are ignored), and Brutal (compulsive hand washing, doctors never go home and sick people are locked in prisons) Difficulties. Once you complete a Bacteria game on Normal or Brutal difficulty, you’ll be able to unlock the Virus. Completing a Virus game on Normal or Brutal unlocks Fungus, then Parasite, Prion, Nono-Virus and then Bio-Weapon. Once you complete all disease types on Brutal Difficulty, you’ll be able to unlock special cheats, with no cure being able to be found, humans never taking action against you, and the unlimited DNA cheat, which lets you evolve your plague like you were God. 

Once you start your game, you’re able to choose which country you want to infect first. Once your plague starts spreading, you start earning DNA points. These are used to evolve your plague by choosing from literally hundreds of different attributes, all split up into 3 different types of evolutions; Transmission, which lets you decide what animals can be infected, and how your plague can travel, Symptoms, which lets you choose what symptoms occur, and how bad these symptoms can get, and Abilities, which give your plague the strength to survive in different climates, and how resistant it is to cure research. 

As the game progresses, little bubbles will pop up across the world, letting you infect more countries, gain more DNA points, and disrupt scientists research. 

You’re also able to check out the world news, which lets you know what’s going on in the world you’re trying to infect. You’ll be alerted when and where Olympics, as well as other National events are going to start, when certain countries are noticing infection, when they close down airports and seaports, block boarders, notice infection, start researching a cure, as well as some very sobering events, like when bodies are piling up so bad that they’re being buried in massive holes, when the dead are being burned, and more. There are also graphs which let you know which countries are and are not infected, how the cure is coming along, and how your infected to dead ratio is coming along. The background music adds to this very serious sort of feeling you’ll get while playing. And it will hit you, eventually. When starting a game, you might be rooting for complete world destruction, but once you read about the events and see the death toll hit the billions, watch your plague spread, see where the evolutions branch out to, and hear when governments fall, as well as the creepy ‘ring around the posies’ chant in the background, it all starts to get pretty intense. 

With Plague Inc. being made Universal with their first Update, as well as being priced at $0.99, it’s one game that strategy fans should not miss. Considering it’s hit #1 on the paid app charts, and judging from the iTunes ratings, as well as explosion of posts throughout iOS forums, it’s pretty clear that casual gamers are jumping in, and are becoming obsessed with the game as well. Considering it’s 2012, and the popularity of movies like 28 Days Later, Contagion, Quarantine, and a whole catalogue of virus related films, it’s not surprising that Plague Inc. has climbed up the leader boards so quickly. But it is pretty surprising seeing a strategy/simulation game hit the #1 spot. It’s definitely a game every iDevice user should check out, and is one game that I will be recommending to everyone I know. 

AAA developers moving over to iOS development is enough to get any iOS gamer excited. There’s always loads of potential that comes along with the title of ‘AAA Developer’. Unfortunately, more often than not, we’re shown what AAA developers really think of the mobile device when we’re given something that doesn’t really hold up against most indie developed titles. Thankfully, there are those few that really understand what the iOS device can handle, and give mobile gamers an outstanding gameplay experience. 

Kotomon, developed by Monstars Inc. is the latest addition to the AAA Developer list, with Osamu Kodera, a 20 year game development veteran who worked at SEGA (and designed the boss encounters in the game Rez. as well as creating Lumines, a critically-acclaimed hit), and moved on to the Xbox 360 PS3 as the technical director of Child of Eden and Sawako Yamamoto who has 10 years of experience, and started at CAPCOM, moved onto Electronic Arts Japan, and oversaw releases of Star Wars and James Bond 007, finally ending up at Q Entertainment guiding multiple projects and helping to produce Child of Eden. In October 2011, Sawako and Osamu founded Monstars Inc, a mobile development project, with Kotomon being their first release. With all of that experience, it’s hard not to expect a lot from Kotomon. Unfortunately, the game falls a bit short of expectations. However, if you go into it not expecting a AAA effort, you might wind up being pleasantly surprised. 

Kotomon has you guide a little red character throughout 24 short levels. There is no story, and no real feeling of progression as you make your way through the game. Joined by other little creatures, you’re able to move using a floating joystick control scheme, and can pick up the creatures simply by walking into them. You’ll need to use these different creatures to destroy the enemies throughout the levels by tapping on the screen once you’re holding one of them, which makes you throw the creature at the enemies. The more enemies you destroy with an enemy, the higher your combo score will be. The main goal of the game is to get 3 star rankings in each of the levels by quickly killing the enemies by grouping them together and getting combo scores. 

Each of your little creatures have different attributes, like the little blue guys being quick and able to travel pretty far, they have a light attack, but are able to follow enemies, while the big lumpy white creatures are slow, but a lot stronger. The smaller purplish creature can be flung straight and is very quick, while the red guy shoots fire. Each of the creatures adds to the gameplay, and you’re able to take 5 creatures with you into battle, so figuring out what creatures have a leg up on the enemies within a level will usually allow you to get a higher score, and 3 star rating. 

The graphics in Kotomon are fairly interesting. The character and enemy models are great, and it’s clear that tons of work went into creating them. However, the environments are pretty dull, and bring the interesting factor down quite a bit. The same happens to be true of the level designs. Each level is pretty much set up like an elaborate boss arena, which isn’t too surprising considering the background of Osamu Kodera. 

Judging by the animations and light shows that the floating orbs within each level show off, the game is supposed to flow alongside music. However, with the arcady action oriented gameplay, this is really thrown into the background. The enemies dance to the music, but other than that, music really doesn’t play a roll in the gameplay, which is sad, because having some sort of attacking system that was intertwined with the scoring system, making the attacks and combos even bigger, and maybe adding more of a lightshow within the animations for the enemies dying (instead of just a little puff of smoke) all based on the beat of the music track for the level would have been a fantastically awesome inclusion. 

It’s apparent that Monstars Inc. has some very good ideas swirling around, but I was hoping for more with Kotomon. Each level is more like a short type of arena based boss battle in which you need to play a couple times in order to figure out which critters will give you the best score. However, there’s no real drive to do this because of the lack of achievements and leaderboards. A story, and some more depth within the gameplay, attacking, and scoring system would have been great. Also, seeing another mode or two would really help out with replayability. With Kotomon being priced at $3.99, it feels like an expensive demo version of a game that has potential, but hasn’t taken advantage of it yet. Hopefully Monstars Inc. is planning on adding a lot more to Kotomon, because I’d hate to see it just get pushed aside and have yet another AAA Development team figure that no money can be made in the AppStore. It’s definitely a game you should keep your eyes on. 

Radiangames has definitely made a huge splash in the AppStore with their previous releases of Super Crossfire, Fireball SE, and Ballistic SE. Earlier this week, their newest release, Inferno+, hit the AppStore, and as you might have expected, it’s one hell of a game. 

Originally released on XBOX Live like their previous titles, this enhanced version of Inferno includes 40 levels, multiple upgrades, 3 difficulty levels along with a special New Game+ difficulty, 20 Game Center achievements, Retina Support for the new iPad and iCloud saving. 

Unlike Radiangames past releases, Inferno+ is not a high-score chasing game. Instead, it’s centered around exploration, blasting away hoards of enemies and upgrading your ship. Granted, Super Crossfire, Fireball and Ballistic were all about blasting away enemies and upgrading your ship, but none of them included the exploration aspect, and considering this is the first title by Radiangames that includes exploration as a main gameplay aspect, they’ve done a fantastic job building Inferno+ around it. 

While you’re blasting enemies, you’ll be searching around each of the levels trying to find all of the orbs, keys, bombs, and hidden areas. The orbs are used to unlock upgrades and purchase items like extra drones which follow close behind you, and help destroy the enemies, bombs, which take out screens full of enemies, and keys, which unlock areas of the levels that are behind impassable boarders. 

You will need to collect all of the bombs you can because there are some enemies which require a bomb to take them out. There are also black holes which can only be dealt with either by completely avoiding them, or blowing them up. There’s also a shield power which you can upgrade with electricity, allowing for you to damage enemies while using your shield. In the later levels, switching between your shot and shield will be a maneuver you’ll need to get comfortable with in order to get through the game. 

Adding to the excitement and overall feel of progression, every 10 levels will take you to a boss battle. These boss battles can get very hectic, and are some of the most exciting sections of the entire game. It is kind of upsetting that you can’t go back and replay previously beaten levels, because these boss battles would get loads and loads of gameplay out of me.

There are also hidden areas which are behind the levels walls. In order to find these, you’ll need to either drag against the walls, or fire your shots directly at them. Your shots go through the holes in the walls, which can also be used to your advantage, as the enemies can not go through the holes in the walls. There are some holes which only open up after you reach a certain area of the level, and some which will close behind you after you’ve entered them, letting you only go through them once. 

Also hidden throughout the game are special bonus levels. These can usually only be found by using extra keys picked up throughout the game, or purchased from the shop area. These bonus levels give you 30 seconds to make your way through a level, picking up as many orbs and bombs as you can. 

The graphics in Inferno+ are very similar to Ballistic and Fireball, with loads of circular enemies, each distinguishable by their colors. The levels are also designed with neon boarders, and the animations for explosions are also very similar to those found in Fireball and Ballistic, only not as extravagant. The controls allow for a static and dynamic control stick as well as switching the move and fire arrangement. There are also sensitivity settings and you can set the joysticks and bomb and shield buttons anywhere on the screen, which is a fantastic addition. On top of this, you can also use the Joypad application and use another device as your controller. 

Even though there’s no scoring system, and no GameCenter leaderboard, I think Inferno+ might just be my favorite game from Radiangames. If there was a scoring system alongside the gameplay, Inferno+ would blow Radiangames previous titles, as well as loads of other dual stick space shooters, out of the water. But the game centering around exploration and upgrades kind of makes up for the lack of a scoring system. With Inferno+ being priced at $2.99, being Universal, and developed by Radiangames, who are fantastic with player feedback, and with supporting their releases, it’s hard not to support a development team as responsive as they are. If you’re a fan of dual-stick shooters or exploration games, Inferno+ will be right up your ally. If you’ve already purchased Radiangames previous releases, you’ll pretty much know what you can expect with Inferno+, but if you’re new to Radiangames, this would be a fantastic title to get to know them with. Chances are, it’ll wind up on my top 10 games of 2012 list, and never leave my devices. 

FDG Entertainment is responsible for bringing one of my favorite flash games, Clear Vision, to the iOS. Recently, they also brought Tentacle Wars, another popular flash game to the iPad. This week, they’re doing it again. Expand It, the popular flash game featured on Bored.com has hit the iOS world thanks to one of our favorite publishers, FDG. Expand It falls into the physics puzzler genre, but thankfully, it’s not your typical run of the mill physics title. You need to make your expandable blocks reach a certain height by making them bigger as well as using the interesting objects found throughout the stages. 

My first glance at the screen shots, I was kind of disappointed, thinking that it was another one of those ‘take out the blocks so that one block hit’s the platform’ type games. Boy was I WAY wrong. Expand It is an original and very unique type of physics puzzler, something the AppStore needs to see more often. To complete each of the levels, you need to tap on certain shapes that are in the levels to make them grow, and to activate various objects and hazards. Once you have the solution, all you need to do is make sure that one of your blocks winds up above the rainbow line towards the top of the screen for a couple of seconds, and voila, on to the next one.

It may sound surprisingly easy, but once you get past the first couple of levels, finding out the solutions could take multiple tries while finding out what each of the blocks and hazards do, and what actually moves within the levels and what size you need to have each of the shapes reach at what given times. After you think you’ve got a handle on the whole layout of the game, it ramps up the difficulty again, always seeming to add something new and unique as you progress.

Expand It has 4 different environments, each with 15 stages, offering up 60 separate levels to complete. Each of these levels has a 3 star rating, which can be achieved depending on how quickly you complete the levels. This does add a bit of replay value to the game if you’re interested in competing on the Game Center leaderboard, besting your own scores, or completing each of the 19 achievements. The game also has empty worlds showing that more levels are coming in future updates, which is always great to hear, especially when it comes to physics puzzlers. 

As for the graphics, animations, and physics; Expand It has perfected each of these. The graphics are incredibly cute, well still remaining very polished, and the animations for each of the blocks only adds to the great feeling of the game. Each of the moving objects in a level have been done perfectly, making sure that not one of them throws the flow of the game off. The physics are done to perfection as well, as each object has a certain weight to it, and does a very good job projecting that weight through the gameplay, especially on the stages where you need to have blocks be a certain size at certain times in order to complete the stage. 

As with other FDG games, Expand It is very reasonably priced, with both the SD and HD versions costing $0.99. A Universal version would be ideal so that people could compete on the same leaderboard, but with the inclusion of HD Retina graphics, I’m actually wishing more and more games would resort to this method of sales, lowering the price for each version making a $2 game $0.99, but keeping the SD and HD versions separate, as all of that extra space for heightened graphics isn’t’ needed on the small screen devices, and usually winds up being seen as a giant waste of space. If you’re a fan of the physics puzzler genre, and are looking for something new and unique, Expand It is definitely a game to check out. And since it’s released by FDG, you know the production qualities, and updates for the game are going to be top-notch, making it very easy to recommend and support. 

Puzzler games have really been expanding and growing when it comes to new and unique ideas spawned by past games. It’s no secret that Angry Birds (or Boom Blox, depending on how you want to look at it) has, itself, pushed the physics puzzler genre into many different directions, and has had its fair share of clones. But it’s always nice seeing a developer take the flinging mechanic and do something new and interesting with it. Nano Titans, developers of Foodies, an arcade puzzler, has just released their newest title, another arcade puzzler, Webbies. This time around, instead of bouncing your main character around to collect food, you’ll be flinging bundles of food at your characters. 

Seems that a grumpy old retired wizard doesn’t like the little woodland creatures hanging out around the forest all the time, and has come up with a formula that makes his arachnoid  friends webs ultra strong. Because of this, the food that the creatures always munch on is getting stuck in the webs. It’s up to you to fling it into their mouths so that they don’t starve. 

At first, the game seems really easy, and almost boring. But after you get past the intro levels, the game really seems to pick up, and gets some interesting mechanics thrown into the mix. Having more than one critter on the screen will give you different types of food, which are all mixed together in the webs, and you need to get certain types of food into specific animals mouths. This means you need to group the food together, shooting acorns into acorns, moving one piece of food out of the way of another so that you can get it to your critter, or in line with another piece of the same food and then to your critter. This gets ever more difficult as you progress, and moving platforms, sticky grabbers, logs, rotating cannons, moving critters and more all comes into play. 

Now, the scoring mechanics are really what push the game forward, and make it more difficult. Getting three stars in each of the levels will require you to combine the same type of food multiple times, getting a combo bonus score. Matching two pieces of the same type of food will give you 5 extra points, while connecting 4 pieces of the same type of food, without connecting a different type of food while in the process, will give you 25 bonus points. If you have two bunches of food, say one bunch of 2 and one bunch of 3, then the smaller bunch is multiplied by 5, and you’re given that many points, in this case, it would be 10 extra bonus points. Once the platforms come into play, bouncing food of them will also give you bonus points. There’s also bonuses for feeding a critter until it’s full, giving you 30 points, and feeding a critter til it’s full in one shot, which gives you 50 points. All of these different types of scoring bonuses will need to be used in order to get 3 stars in each of the levels throughout the game, and to compete on the GameCenter scoreboard. 

It’s great how a scoring system like this can really change how you play a game. If there were no bonuses for bouncing food off of platforms, bundling them together, or for other actions throughout the game, Webbies would be played very differently, and you have that option if you’re not into high-scores, which also makes this a great game for the younger iOS gamer audience as well. This is always a great thing to hear for those of us with children who are into gaming. 

The graphics, animations, sounds and effects, all come together to create a very polished looking and sounding package. With Webbies being Universal, $0.99, and containing over 100 levels, it’s a great buy, especially if you’re into arcade puzzlers, or games with great scoring mechanics and score chasing. There are no extra IAPs in the game, so it’s a flat out purchase. Nano Titans has already submitted their first update to Apple which adds an undo button. I’m a little worried that this might make the game a bit too easy, but I guess we’ll see when it hit’s the AppStore later on in the week. As it is, right now, Webbies is very easy to recommend to fans of the genre, even if you’ve gotten a little sick of the whole flinging puzzler type of gameplay like I have over the last year or so. Webbies might not bypass all of the typical used mechanics within the genre, but the way it’s presented, along with the scoring system adding to the way you’ll wind up playing the game, it really stands out inside of a genre that’s been flooded with titles over the last couple years.